"CANVAS BECOMES INFINITE WITH THE VISION OF THE ARTIST."

Antonio E Costa

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SWIRL, SNIFF, SIP IN WINE COUNTRY
Whites -The Rose Petal Container
Whites - Past Present Future
Whites - Night Window
Whites - Raindance 1
Little House by Moon Light - SOLD
Whites - Pastel Field
Whites - Raindance 2
Grid Zone
Whites - White on Gray
Whites -The Monk's Robe
Whites - Linear World
Whites - Hacienda World
Whites - Hands On
Whites - Skyscape with symbols
Whites - Cross Borders
Whites - Genesis SOLD
Whites -The Island

White On White

These multimedia works are thoughts on thousands of shades of white. E Costa captures the constant evolutionary changes that take place in the vast physical spaces of the cosmos, and often juxtaposes them on the confined space of a small canvas. Infinity can be encapsulated in a drop of water...where white pigment moves through an unknown, mysterious door. Refreshing abstract works by the contemporary multimedia artist, whose works reveal a very layered perception of wider realms and realities.  

New York City, USA

TAKE A HUGE BITE OUT OF THE BIG APPLE
Vistas Series 3
Vistas, Untitled 5
Vistas
Vistas, Untitled 7 - SOLD
Vistas, Untitled 6
Vistas, Orange Landscape - SOLD
Vistas, Desert Forms
Vistas, Untitled 5 - SOLD
Vistas, Untitled 4 - SOLD
Vistas, Untitled 3
Vistas, Untitled 2 - SOLD
Vistas - Desert Cloud
Vistas, Untitled 1

Vistas

E Costa’s Vistas paintings are representations of a world of possibilities invested in the sky, water and earth. They are a distillation of different views on reality, gathered over many years spent working in different countries.

Paris, France

LEARN TO COOK IN THE CITY OF CULINARY DELIGHTS
The Candomble , BraziL - SOLD
African Baroque
General In His Labyrinth
Africa, Day for Night
Sertao, Brazil
Shaman, Mexico
Africa 1 - SOLD
Juagar Mexico
Mexico 2
Sketch, Mexico
In Africa - SOLD
Toronto Formulations 1
Toronto Formulations 2

Across Borders

These paintings mirror the variations of elements that a traveller experiences in his journeys. The extremes of climates, peoples, politics and cultures led E Costa not to define his art according to established limitations, but to use materials shaped by experimentation. The result was that the canvas embodied the transformation of matter into spirit.